We’ve just sent out our first Fordante e-newsletter. If you’ve not recieved a copy and would like to be kept up to date with what we’re doing, simply send an email to ‘firstname.lastname@example.org‘ with the word subscribe in the title. Don’t worry, you won’t me bombarded with newsletters, there will only be two or three a year.
It’s been a busy few weeks setting up a record label and finalising the artwork for the CD but it has atleast given me the opportunity to work with a talented artist from Birmingham called Mikey Ball (TheArtyOne) who has been responsible for the cariacatures for the forthcoming album cover. You can see three of them below and I hope you can see why I’m really pleased with what Mikey’s created.
The full artwork for the album cover will follow in a post soon.
I have been lucky enough to have a very talented mastering engineer (Dave Mitson of the Mitsonian Institute) involved with mastering our album. Having worked on albums by Barbara Streisand, Celine Dion, Neil Diamond and film soundtracks this is someone who knows his craft. And now he’s finished and I’m absolutely blown away by what he’s added.
For those unsure of what the mastering engineer does, he (or she) is the person who takes the final mixed recordings and adjusts levels, adds a bit of sparkle and basically puts that little bit of magic onto the recording that only a mastering engineer knows how! So a big thanks to Dave for his stirling work.
If you’ve got a project you need mastering I can’t recommend Dave strongly enough. You can find out more at:
A very warm reception was felt at the last concert in New Radnor, just over the border into Wales. It’s always interesting to hear audience feedback because this is new music to most listeners and when it’s so well received it’s really appreciated.
Thanks also to Mary for providing us with a tastey picnic before we went on.
Here’s something I forgot to mention recently – ArtsFest. Great experience playing outside in an open air stage with cascading water running under your feet!
It’s always great to perform although thats not to say that it went quite as smoothly as it should! On the one hand it’s nice to not have to take the stage piano, mixer, amplification, lighting etc. However, it’s abit scary when you’re trying to play a piano with no sustain pedal. Worse still this piano decided to sustain every note – not a pleasent sound at times. So lesson learnt: Whenever I’m told you don’t need your own equipment ignore it!
Just returned from photoshoot where we’ve had loads of photos of Fordante taken. Some atmospheric (moody), some deep in thought (playing) and a couple even managed to get us all smiling. But which ones actually make it onto the website and into the brochures, we’ll have to wait and see….
After a bit of juggling backwards and forwards with dates we’ve just heard that Fordante are going to be performing at the Birmingham ArtsFest on Sunday 13th September. We’ll be appearing at the Victoria Square stage between 15:00 to 15:30.
I’m looking forward to be playing back in Birmingham again.
Well that’s the last of the recordings done in the studio. I’m now busy working on the editing and post production to get the music sounding just right.
I’m not sure whether I mentioned the track selection but following our helpful feedback from our earlier concerts I’ve whittled the tracklist down to 12. I’ve mixed down three tracks so far and I’m really pleased with how they’re sounding. I’m putting together a promo CD at the same time and some of these track excerpt I’ll put up on this site as soon as I can. It’s all so hectic getting this album complete…
It’s been pretty busy over here at, ahem, Fordante Towers – following the arrival of a couple of microphones for the recording sessions next week I’ve been experimenting with different recording techniques so that when these fine musicians get into the studio I’ll be concentrating on the musical performances rather than microphone placements.
For those interested I recently purchased a large condensor and a ribbon mic following some helpful advice from folks with more classical recording experience than I could ever hope to have on the forum over at SoundOnSound. Thanks guys!
In getting the temp tracks and performances ready for the recording sessions I’ve actually been sidetracks a little and inspired to compose more music for the follow up album – but one thing at a time, let’s get this one in the can first.